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September 06, 2008

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Reid Gershbein


I just put the song up for free so that anyone can download or stream it.

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Enjoy!
-REid

Craig

The thing is, (real and fake) tilt-shift blurring creates the illusion of miniatureness only when the subject is planar enough that the focused area is all equidistant from the camera, making it appear that it low depth-of-field is creating the blurriness of near and far objects. Many of these images have areas that are blurry that wouldn't be if it was a miniature scene, and vice versa. If you're going to do computerized blurring, you may as well selectively blur based on distance for the real effect of depth-of-field rather than approximating the effect of tilting a lens, which is itself only an imperfect approximation of the effect you're actually going for.

maaaty

great job -- never would've thought the flip camera could do that. and good choice of subjects, too.

Reid Gershbein

To move the matte points in Final Cut, you can click on the "+"
button to the right of the x and y fields in the filter menu.
Then you can click and drag the point around in the preview
window (which is the right window in the "Standard" window
configuration).

I am a complete and total novice at Final Cut, so someone else
might be able to tell you the specific terms of what I am
trying to describe.

Darth Brooks

You got a little lazy at the end, but this was a nice piece of work. Inspiring. Keep it up!

Reid Gershbein

The last 1/4 of the movie shows the original footage so that you can see what it looked like originally. :)

ariel wollinger

gaussian blur is not like camera blur. you should use some camera blur plugin. The result is way more realistic. Usually called camera blur or rack defocus.

gtron

well, I'm not so sure a "more realistic" result is either needed or intended... to me I felt like I was watching a live lego set or some sort of kids imaginary world... 'realism' is not always the best option. Nice work and thanks for being open with your tips...
I made a film last year about two guys lost in the wilderness, I'm thinking of revisiting the edit and trying some of this to see if it would isolate them even further

Reid Gershbein

You absolutely could use a "defocus" or other blur to get a more realistic effect.
For me, it was really an artistic decision to go with the techniques that I used to and exploring different visuals. Just playing around with trying to get things that I liked
the way they looked, regardless of how "realistic" they looked. In fact, I was pushing
beyond realism to get more interesting effects.

Ron Koeberer

Have never seen it done on film. Interesting.

The best example in still photography can be
seen here: http://www.claudioedinger.com

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